By El Cuervo on august 24, 2015 in 2015, death Metal, German Metal, Napalm Records, Reviews, death Metal, 37 comments

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Ahab has actually been the proud flag-bearer for funeral doom throughout the last ten years, with three full-length releases fleshing out a decade which has actually seen castle achieve great popularity for such a niche genre. The AMG ranks are infested through attention-impaired sodomites who don’t know the genre, but Steel Druhm deservedly attributed their 3rd album, The Giant, v a strong 3.5. The German whale-meisters preserve their trend towards nautical literature, this time drawing on william Hope Hodgson’s The boats of the “Glen Carrig,” a survival-horror turn adventure tale. The climb tension and also monstrous beings carry out fitting inspiration for the opening doom gift here, and also Glen Carrig proceeds the musical advances made ~ above The Giant.

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As to be the situation with its predecessor, glen Carrig is funeral doom however less dirgy and at a marginally less glacial pace. Indeed, “Like Red Foam (The great Storm)” is the fastest tune Ahab has actually written. They increase on the post-rock and progressive influences combined into The Giant, through ambient passages and also greater diversity native their main point doom style. This dynamism is demonstrated together the album’s moves with phases the heaviness and also subtlety uncharacteristic of one often-overpowering genre. There’s a greater mixture the instrumental and also vocal structure in the valley Carrig arsenal than ever before previously, and it’s certainly an exciting listen which prevents the usual funeral doom caveat of musical homogeneity. Every this is noticeable on the four lengthy songs, omitting the comparatively brief “ favor Red Foam.” A variety of guitar tones room used, as is the case with Christian Hector’s vocals. His growls are commonly excellent but he practice his cleaner tonsils here, accompanying the atmospheric quiet moments through somber and emotional chants.

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Upholding the vocals room the riffs. Considering the family member pace that this album among its peers, the guitar work greatly impresses in and of itself quite than simply contributing come a wider atmosphere. They do a strong impact such as that in ~ 3:37 that “The point that made Search” and also the opened lead top top “Like Red Foam.” However, these riffs room strung quite thin when many tracks exceed ten minutes. There is a absence of melodic and technical breakthrough on the guitars together the songs progress, grind promising work into banality. This isn’t a slight against the guitarists’ abilities, fairly the song-writing. I enjoy a long song wherein a core lead is retained but evolves: this feels more progressive and cohesive 보다 artificially expanding a song by stitching with each other multiple riffs. However, only the highlight, “The Isle,” repetitively demonstrates such development. “Like Red Foam” also updates an previously riff at the 4:20 note with second melody which heightens the mood.

If I’m harsh ~ above this element of the song-writing it’s because Ahab has actually improved in another: these guys are increasingly utilizing more complex and compelling compositions. Every track has sections in i m sorry the harmonies pull with each other brvtality v melody, supplying pleasing landmarks as the listener developments through the length. The layering of guitar tracks giving rhythm, leads and also shredding is an excellent at the previously mentioned moment in “Like Red Foam” and in the last four minute of “The Weedmen,” to name two examples.

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Referencing this layering the guitars, Ahab favors a large production job. Despite the large sound intrinsic to the genre, the audio high quality is quite clear, bypassing dirty or fuzzy productions wanted by others. The quiet moments almost glisten. Ns don’t typical this as a an unfavorable however, together the instrumentation is clear and strong in the heavy moments and also delicate in the ethereal ones. It might not be cvlt v such studio work yet it’s powerful. My only complaint ~ above this former is that guitar solos might be blended better. I gain that the clean shredding tone isn’t frequently a component of funeral doom, yet they’re almost superfluous because they’re for this reason far ago in the mix.

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Overall, valley Carrig is a strong marker of progression in Ahab‘s career. It proceeds from The Giant however has boosted in the harmonies constructed and production utilized. The issue I take through the riffs go let it down, but this is a solid an option for doom aficionados. Journey right into the unknown with these seafarers.

Rating: 3.0/5.0DR: 5 | Format Reviewed: 320kbps MP3Label: Napalm RecordsWebsites: ahab-doom.de | facebook.com/ahabReleases Worldwide: august 28th, 2015