It seems like simply yesterday that a young unsigned brother producer by the surname of Bullion placed out his debut release: the unofficial (but official dope) “Pet Sounds: In the key of Dee”.

In internet years, 2007 appears like periods ago: Myspace, blogspot pages, RSS feeds, CD-R’s. Musically the was additionally a more simple time where mash-up albums were every the rage. If the title might lead civilization into thinking Bullion’s “Pet Sounds: In the key of Dee” to be mash-up record, the truth is it was really about trying come channel the style and also techniques the Jay Dee and re-imagine the entire Beach Boys document in a method that the Detroit legend might have.

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It is hands down one of my favourite post-Dilla critical “beat” records, one that have the right to be group alongside Apollo Brown’s “Clouds”, Onra’s “Chinoiseries”, Nujabes’ releases, of food Knxwledge’s Bandcamp titles, and also the list goes on.

Since our days of conversing ~ above Myspace in the mid 2000s, Bullion has actually gone on to construct one the the most exciting sounds because that himself and his label Deek Recordings, i m sorry he defines as “Pop, no Slop”.

Lexis: how are girlfriend man? It’s an excellent to speak to you for the 10th anniversary solemn event of your cult classic “Pet Sounds: In The crucial of Dee”.

Bullion: It’s bizarre to have something i made rotate 10 year old! specifically considering ns was already an adult as soon as it came out.

Lexis: It also marks her 10th anniversary as an artist together this to be your very first release right?

Bullion: That’s appropriate yeah. Ns was life in my very first flat in West London and also just a few weeks after ns finished the album, the whole place to be flooded with the collective sewage of the 9 floors over us. We had actually to relocate out immediately! it felt a little like a rite that passage.


Lexis: yeah music has actually this strength of setting time markers in our life, you remember an essential moments in relationship to crucial records in her life… so let’s hop in the time machine! take me ago to 2007: the young producer in his first flat. What to be the an initial moment of incentive to dive into this project?

Bullion: I came to be quite obsessed v Pet Sounds and also simultaneously discovered Jay Dee (J Dilla) had made a many the rap ns was into. Then Donuts came out and also I went from Pet sound to that, then ago to pets Sounds and also heard that in a brand-new light. There was a Pet sound box set with different multitrack parts. It’s motivating to listen Brian Wilson directing the sessions in between takes. He’s relentless, you have the right to feel the urgency. That was funny manipulating several of that spoken material to nod to Jay Dee’s genius together well.

The idea wasn’t to take it Pet Sounds and also mix it with Jay Dee beats. There space a couple of moments whereby I sampled Dilla’s voice yet I sampled and also programmed the drums myself, from all over. It’s no a “mash up” together it’s to be described.

Lexis: yeah it’s really never felt like a mash-up to me. Constantly felt much more like Bullion chopping the Beach guys while channelling Jay Dee, who had actually just passed away a few months before.

Bullion: Pretty much!

Lexis: please indulge all of us nerds, can you tell united state a tiny bit around the procedure of the project? (How long it took to finish, what hardware and also software did you use, workflow, etc.)

Bullion: I offered an old apple Mac, logic 6 (I think) and a midi keyboard. I had actually the Pet sound boxset, a few records and also folders that samples gathered from various places – probably a same amount from really naff sample CDs.

In state of exactly how I placed the tracks together, it was a process of chopping audio papers in Logic and placing them in the species page, relocating them around until they began to sound interesting and then just complying with the thread. Ns was mimicking the method producers I chosen programmed your drums and samples – slack grooves. I suspect a many them were much more physical in their an approach and supplied hardware like MPCs etc, while my set up looked much more like ns was act a spreadsheet 보다 making noþeles musical. Even down to the uninspiring room ns was in. Short ceiling, PVC windows, laminate flooring, nothing on the walls (strict landlord). I prefer imagining drawing inspiration from the bland scene, i must have been specifically optimistic!


Lexis: What about the distribution of it? how did it start spreading? Those were the work of Myspace, blogspot pages, forums, CD-Rs…

Bullion: I uncovered the email of this guy dubbed Tuse on the ago of a Ninja song CD i had. The was managing Roots Manuva and also Cinematic Orchestra in ~ the time. I sent out him several of the music and also he take it an interest. We met and also he A&R’d it ns suppose, then come up with a setup to obtain it to a few good human being including Benji B and Gilles Peterson who sustained me loads. The was interesting to have Tuse involved; I had no idea how anyone would get what ns was doing until then. He also managed MJ Cole and he finished up mastering the album! We put it on CD and I gave them to civilization outside document shops. It was up ~ above myspace and also somehow Gorilla Vs Bear captured wind that it and also posted it on their blog. That put it on the map a bit.

Lexis: Ha! No method MJ Cole master it? I’m additionally a substantial fan.

Bullion: He walk my very first single after the too, “Get Familiar”.

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Lexis: Amazing. I didn’t understand that. Eventually, the record was bootlegged right?

Bullion: Yeah, ~ above vinyl in 2009. They provided some unofficially artwork with J Dilla pasted onto the original Pet sound cover. I believed I had no grounds come moan about it since my whole thing to be a bootleg anyway, yet at the very least I did some work! everyone made the repressed in 2015 and I’ve been told the sells quite well, worldwide. One of two people way, the meant much more people have actually heard the music ns guess. It’s simply a bit of a sloppy job. The title isn’t even right. “Bullion presents…”

Lexis: fine hopefully Ma Dukes and Brian Wilson space on the chase! tell me a little bit around your relationship to pet Sounds, did you grow up hearne to the record?

Bullion: I absolutely grew increase listening come the Beach boys – mine Dad is a large fan – but more Surfing USA, assist Me Rhonda, an excellent Vibrations etc. Pet sounds was one of those “classic” albums at HMV as soon as everyone realized you might buy as many CDs as you wanted, rip and return them because that a full refund. I’ve always loved rich and close harmonies, so pet Sounds was it because that me. Adventurous popular music music. It is pretty much my key interest in music; pop not slop!

Looking earlier I think the totality thing was a coming with each other of a few interests in ~ the time. Pop, rap, and also UK garage. Todd Edwards was an additional producer ns loved – I spent a small fortune collecting all those us imports. The means he plays with harmony and very musically chopped samples fascinated me, however I just couldn’t get comfortable at the BPM. So i slowed appropriate down. Donuts do me hear exactly how I could emulate Todd Edwards in ~ a slower speed.


Lexis: Funny you point out Todd, it does entirely make sense! you did make that record just in a method that someone who loves the beach Boys, Dilla, Todd, MJ Cole might do… i beg your pardon is more than likely why ns love that so lot too.

Bullion:  it’s a funny quartet… fine there’s much more than 4 really… a moretet!

Lexis: therefore 10 year later, you have actually a terrific track record of making adventurous popular music music. Call me around what inspires you and also drives you musically these days.

Bullion: Songwriting and also collaboration is what I’m currently inspired by. I have actually a propensity to isolate myself and do that all, so i’m opening as much as relinquish regulate a bit; to find out from people who have the right to really write. It’s overwhelming exactly how much you have the right to do with your time. That have the right to be crippling i find. I’m share a studio now and that’s help to mitigate the instinct to job-related alone.


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Credit: Otis Marchbank


Lexis: i hear you. I just saw this morning you developed the Laura Groves album. Ns didn’t recognize that! ns love the one… currently I recognize why!

Bullion: I began my brand DEEK Recordings to relax collaborations favor that.

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Lexis: five no way DEEK is yours? Didn’t recognize that either… an excellent work man!

Bullion: We’ve to be doing these cover compilations top top the label – i ask world to choose a track to cover and we do it with each other (usually). We’re top top our third one, the end in September. Then last weekend ns was working on a song with Todd Terje – that producing, me singing and also playing guitar, so the threw me into a brave brand-new world!

Lexis: It’s really been exorbitant to see your growth due to the fact that we were talk on MySpace all those year ago. So last question, call me what you have actually in keep for the 10th anniversary show?

Bullion: Yes – always appreciate your support! I’ve never done any type of kind of live display so i’m in at the deep finish with a group of 10 musicians, yet they’re all very an excellent so I’m lucky. Raven shrub (Heliocentrics, Mulatu Astatke) and also Giles King-Ashong (Mica Levi, Sampha) have got the tape together and also are transcribing the music indigenous an hour long prolonged mix I’ve created. Wayne Francis who played sax on mine album is in the band, climate we have actually strings, percussion, bass, part woodwind – every you’d expect to play pet Sounds. It’ll it is in a mix of timeless performance, samples and some more recent arrangements written especially for the show. There’ll be some beautiful visuals to match, too.

Lexis: Well i would have loved to it is in there. I should have sent a spy come plug a recorder in the board. Wishing you well, happy 10th and also keep increase the exceptional work!

Bullion: Thank you!

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